Scene 139

(Scene opens outdoors, sound of traffic, birds, etc.)

BUT: So, I see we’ve got the sound effects thing figured out.

PAZ: So, that’s what the inside of a warehouse is supposed to sound like?

BUT: I was being sarcastic for Christ’s sakes.

MIK: Oh, faith and a lamb, we can’t take the Lord’s name in vain! Sure and I’d rather you cut me legs off at the knee with a nail file and stomp me to death with me own feet.

PAZ: I don’t think that will be necessary, Mike. Maybe we could just apologize…

MIK: Oh, apologizing is it? I’d rather you cut off me head and spun it around quick so’s I could watch me own headless body drop to the ground.

BUT: Doesn’t that seem a bit excessive, Mike?

MIK: Excessive? EXCESSIVE? To please the Lord? Excessive would be to have you take down the crucifix from the wall and have me do this and you ram it…

ALL: WE GET THE IDEA, Mike!

BLI: Why does he have to be so gross all the time?

BUT: He’s just passionate about the way he feels, I guess.

PAZ: Getting back to this warehouse…

(SFX: Cattle, jets, babies crying, typewriters, car racing, bird songs)

BLI: Lookout! That number 43(or whatever is Tony Stuart) car almost hit me.

PAZ: Better luck next time.

BLI: Shut up Pazlo. You wouldn’t want to end up in the bread line.

PAZ: Bread line, soup line, buffet line…as long as it’s food. We haven’t eaten for like 12 or 15 scenes.

BLI: Most of us.

PAZ: Okay, Mike. We need you to lead us to where they were keeping the guy locked up.

MIK: Aye. Right down this corridor to the elevator. Through these doors here…

(SFX: music, sirens, anything but a door opening)

BUT: Great sound effects.

BLI: That’s what you get for hiring Sunbright rejects.

PAZ: I didn’t know Stewart came from Sunbright.

BLI: That’s not all you don’t know, too.

MIK: Now it gets pretty dark down in here, sure as yer born.

PAZ: What does that mean, exactly “Sure as you’re born”? I mean, you wouldn’t be talking to me if I wasn’t born.

MIK: You see the wisdom in it, then. A fine boy.

BUT: All these doors look the same. How do you know where Marsh is being held?

MIK: Well, it’s down here somewhere, sure enough. I’d stake me own name on it. I’d stake me brother’s name on it. But not my father’s. Oh, he was a no-account bastard from the old days. Thought nothin’ of keepin’ us kids squirreled away in that house, isolated.

BUT: Well, you were home-schooled in a mansion. It’s not exactly like it was tough on you.

MIK: Oh, the days on end! Breakfast, lessons, nap, lunch, lessons, supper. Over and over. Torture!

PAZ: That pretty much describes like an idyllic life…

MIK: But if you lived it! Rather I’d have you pull my intestines out through my nose and make me smell ‘em.

PAZ: Oh, God, here we go.

MIK: Rather you sawed off my arms and beat me to death with them.

BUT: Okay, Mike. Maybe you could stop there.

MIK: Better you chop off my leg and sharpen it like a spear and jam it far up…

ALL: THANK YOU, Mike.

PAZ: We, uh, get the idea.

BLI: Get the idea? It’s gross! Why is he so gross?

BUT: It’s a cultural thing, I guess.

(SFX: A ship’s bell, boat whistle, tires screeching)

BLI: Look, the door is opening. Not that you could tell by the SOUND EFFECTS!

PAZ: Alright, everybody freeze!

MORitorium: Stay right where you are or you won’t get hurt!

BUT: You mean “Stay where you are or you WILL get hurt.”

MOR: What? Are you prepared to not die?

PAZ: You mean “Are you not prepared to die?”

BUT: No, I don’t think that’s it.

PAZ: Sure, it’s like a double-negative.

MOR: Silence! Morons!

BLI: Don’t lump me in with them. This is just my day job. I’m not gonna die for it.

PAZ: I’ll kill you for that myself!

MOR: Stop! Shut up! I am the great and powerful…no that’s trite. Wizard of Oz. I AM Professor Moritorium. You shall…

BLI: Wait, wait. The fat guy’s talking, I can’t hear.

PAZ: Probably the bad sound effects.

MOR: How am I supposed to make my big entrance if you guys keep walking all over my lines?

MIK: I guess you shoulda thought about that before you married the Devil, eh?

ALL: What?

MIK: As my dear sainted mother would say: “Close the damned door you stupid kids!”

(SFX: door slamming)

BUT: So, all of a sudden you get the right sound effects?

PAZ: Who turned out the lights?

(SFX: a fight ensues, breaking glass, maybe a gunshot)

BLI: Help! Help! I’m being repressed! (gagged, mumbling: mum mum mum)

PAZ: Alright. Do you really think they had to write out “mum mum mum” for Blinds mumbling.

BUT: Well, he doesn’t do well without stage direction. His ad-lib skills are weak.

PAZ: Yeah, but “mum mum mum”? I mean, how about “Gning mnm mummavum”? Now there’s some creative writing.

MIK: Don’t look now, but I think your sister’s been nabbed by those goons!

PAZ: My sister? Blinds? This isn’t another plot twist, is it?

BUT: Paz, they’re taking Blinds!

MIK: Blinds? But there’s not window one in this place, lad.

BUT: No, Blinds the twittering dingbat who doesn’t know what you’re doing here.

PAZ: Do you think Blinds could really be my sister?

BUT: Well, he was adopted. Anyways…we better get after those goons before Blinds is killed!

PAZ: Wait! You can’t do that to my sister! I’ll kill ‘em.

MIK: Aye! Murder’s a sin, son. You can’t be talking like that! Surely I’d rather have my ears cut off and taped to a fire siren ‘til I was deaf, rather than hear you talk like that.

BUT: Oh, geez.

MIK: Rather you’d pop out my eyes and set my head on fire and blind me with the flames as I watch.

PAZ: Okay, Mike. We get that you’re serious about it.

MIK: I’d rather you took a Bosch Bulldog Hammer drill with an 18-inch mortar bit, about three-quarters inch diameter, and set that thing on hammer and take it and put it right…

ALL: OKAY! OKAY! Thank you, Mike.

PAZ: Blinds was right. He is kinda gross.

BUT: Well I didn’t hire him, so don’t look at me.

PAZ: Wait. How do those two things fit together? What’s the correlary?

BUT: What?

PAZ: You didn’t hire him, and I can’t look at you. Why the two concepts stuck together? What happens if I look at you? (pesty) I’m looking at you. See? Look, look, look, look

BUT: Yup. Real mature.

PAZ: Na-na-na-na-na…I’m still looking at you. Still looking! Still…

(a brief pause followed by the sound of someone falling ten feet onto junk you’d have outside a studio)

BUT: You should have been looking where you were walking. (Shouting) Alright, I’m taking off after Blinds and the goons. Maybe you’ll catch up?

PAZ: (voice distant): Yep. I’m okay! It’s alright. I’m alright! Just a little blood. Or is that taco sauce?

BUT: Oh, boy. Now if I can get this crazy car started. Zuzu? Start the engines.

ZUZ: There is only one engine, Mr.Butto.

BUT: Well, start the engine then. I gotta go!

ZUZ: Do you wish me to wait until after you’ve relieved yourself?

BUT: Not that kinda go. We need to make tracks! Go! After those goons!

ZUZ: Where do you want to make tracks? Or did you mean “record tracks”?

BUT: No, I mean let’s go! After those goons!

ZUZ: Did you mean “loons”?

BUT: Goons! Bad guys! Go! After them!

ZUZ: Bad guys go after goons? Please rephrase your question in the form of a question.

BUT: Can we go now?

ZUZ: Yes.

(silence)

BUT: So… going now? Come on. You can do it!

ZUZ: Do you wish to accelerate toward the loons?

BUT: Toward the GOONS! Yes! Accelerate.

(SFX: rocket engines, screeching tires, noise galore, super-speed Zuzu tearing down the road)

BUT: AHHHHHHHHHH!!!!!!!!!!

(Zuzu & screaming Butto fade off into the distance)

PAZ: Wow. That only hurt a lot. Say, where is everybody?

STEWART: They went to look at the loons with Mr.Butto.

PAZ: Loons? Like Blinds?

STE: Yes.

MIK: It looks like your friends held onto your friend and took off with your friend.

PAZ: Yes, I…wait a minute…I don’t have any friends! You’re an imposter!

MIK: No impasto, no. I dabble a bit in oils, but mostly it’s watercolors. After me kinsman, Frank Clark.

PAZ: As in Frank Clark’s Paint Box? You know Frank Clark?

MIK: Oh, me and Frank go way back. We were in third grade together. Yes, plenty of afternoons on the hall bench. Plenty of recesses spent being whacked with a ruler.

PAZ: Your teachers hit you with a yardstick?

MIK: No a ruler! Sometimes it would be Queen Elizabeth, sometimes Sheik Ahmad.

PAZ: (narrating:) Now I really needed a plan. Actually, I needed a plan a lot earlier. I mean a plan for the plot. Not a health plan. Pots and pans. A man with a plan. Stan the plan-man…

STE: Mr.Pazlo?

PAZ: Scan the land for a plan man. Making a plan. Planning.

STE: Excuse me, Mr.Pazlo?

PAZ: Yes, Stewart. What is it? You’re interrupting our recording session here, y’know.

STE: Yeah, the session ended about five minutes ago. We need to clear the studio for the jingle people.

PAZ: The Jango People? From the Amazon? My dear old friend Garza?

STE: JINGLE! JINGLE! The people who sing the jingles, from Sunbright.

PAZ: Sunbright? What are they doing here?

STE: Well, they’re remodeling over at Sunbright. New lights, windows, Blinds.

BLI: I’ve been kidnapped, Stewart, not installed at Sunbright.

PAZ: Wait! Why would we let people from Sunbright use our studio? They’re our direct competition! What jingles are they recording?

STE: Billy Fermento’s. And Mom Mocady’s Taco and Small Arms Stand. And Presto.

PAZ: Oh. Um…I gotta go.

STE: Okay. But what about these air ferns?

Mr. Pazlo?

Mr.Pazlo? Hello?

ANNOUNCER: Perhaps you’ll have the grave misfortune of joining us for our next exciting episode of The Adventures of Butto and Pazlo and also Blinds the flittering wheezbag.

STE: That’s a long title. Good thing we’re not on TV.

BLI: Who put in the flittering wheezbag bit? Wait ‘til I get my hands on ‘em. Where are you?

ANNC: We’d like to thank our sponsors for bringing us tonight’s episode. We’d like to, but we don’t have a sponsor since Sulphur-Wonder Polish dropped us like a hot potato.

BLI: Did you say potatoes? I love potatoes.

<SCENE END>

Episode 37.1 scene 678

SFX: Tweeting birds, chirping crickets, maybe some trickling water. Obviously not LA. COP: What the... BUT:Nice downtown, very rural. SFX: Sheep bleating PAZ: Hey, Bo Peep, lose something? COP: These special effects are gettin’ outta hand! BLI: Look at me I’m Cybil Shepard. BUT: Blinds, take that wig off, you’re scaring the sheep. PAZ: They’re gonna stampede, run! SFX: Train noises, sheep bleating, cows mooing, guns firing, cell phones ringing.

on 2/13/13

COP: Okay, if yous guys will just take a seat here in our van...

SFX: climbing into the van. Blinds bursts out running, screaming "PAZLO!" and a knock-down scuffling fist fight ensues. Blinds rants in his rage as he wallops the tar out of Pazlo.

BLI: That's the last time you dim-witted, bald-headed, flat-footed moron! I own you now! OWN YOU! You're fired! You'll never work in this town again! Or some other town, I don't know! I'm gonna kill you, you rotten no-good so-and-so, I don't care, half-brother or not! I'm gonna--- (sudden silence).

BUT: (Slowly & contemplatively) What did you say?

BLI: Uh (Dropping Paz to the sidewalk with a thud)...half-WIT! I said HALF-WIt, HALF-COCKED, HALF-Past a monkey's

PAZ: Nice going half-shaft. You blithering blatherskite...

BUT: But if WE'RE half-brothers and Pazlo is your half-brother...that would make me..(ugh, fainting, hitting the sidewalk)

COP: What the hell is going on here? You guys are droppin' like hothouse flowers. (Assertively:) Get in the truck!

BLI: What? That's a Paddy Wagon! You're not getting me in there!

COP: (pulling a gun) Oh, I'm gonna get you in there, breathin' or otherwise. You guys are worth a grand a head to Moritoriu...uh, Metropolitan police...come on!

PAZ: Let me see your badges.

COP: Badges?

BUT:  No! No! Don't even consider thinking about it.. it's so cliche by now.

COP: Cliches? We don't need to show nobody no stinking cliches.

BLI: Oh, for the love of Pete..hey,..you're unconscious.

PAZ: No, he's Butto, my partner, my sidekick, the other half of "The Adventures of Mr.Pazlo and Butto!"

BUT: That's not the name of the show. Wow, I had the weirdest dream sequence while I was out...

COP: Get in the truck before I let you have it!

PAZ: Well, if you're going to let us have it, isn't it immaterial whether we get in before or after you do so?

COP: What?

BLI: Besides, we don't want it. It's homely and smells bad, and we've got two production trucks and three talent trailers already.

PAZ: Well, two trailers.

BUT: No, there's three.

PAZ: Anyway, we don't need this thing unless we're gonna make a Miners' Wear truck out of it.

COP: Shut up! If you don't shut up you're gonna get it right now!

BLI: So if we keep talking we won't get it?

PAZ: Yeah, I thnk that's the way that works...don't shut up you're gonna get it.

BUT: So if we stop talking you won't give us your smelly Miners' wear truck? Is that what we're hearing?

PAZ: Gosh, shuttin up seems the way to go, otherwise it'll be like a white elephant, I mean we wouldn't want to insult him.

COP: That's it. You've got it coming!

BLI: So it's like a sweepstakes thing? We already won it? I know a lady that won a volvo then she had to come up with two thousand dollars for tax on it...

COP: Who in hell is writing this trash? Don't yous guys understand English. Get in the truck or I'll shoot you. Dead.

BLI: With a cow? How can you even aim that thing?

PAZ: It should be a pig.

BUT: A pig?

PAZ: Yeah, it wuld have a bigger bore! Get it "BOAR"?

COP: If I pay you, will you get in the truck?

ALL: What?

COP: Yeah. I'll pay you when we get there.

PAZ: (whispering): We could use the money.

BLI:(whisper) My trailer needs new lighting.

PAZ:(whisper) shut up Blinds, you babbling fool

BLI:(whisper) I'm gonna rip your face off!

PAZ:(whisper) Bring it on you half-breed buffoon!

BUT:(whispering over a quiet scuffle) Shut up you idiots. It's a trap. That guy's not a real cop. Why is he trying to kidnap us?

PAZ:(whisper) More importantly, do you think the cow is loaded?

BUT:(whisper) This is a real jam..uh..my..brothers. And we're in this together now, I say we make a break for it. Blinds?

PAZ:(whisper)Wait, what, we break Blinds?

BLI:(whisper) Well, maybe it's not such a bad truck, and for free it might..

COP:(whisper) Shut up (Out loud): Shut up and die you sniveling boneheads.

BUT: Grab the cow by the ring!

PAZ: Don't you mean "Take the bull by the horns"?

BLI: This is no time to argue semantics, Pazlo!

SFX:(Major scuffle, some cows, maybe guns. The truck starts.)

BUT: Paz, Blinds, jump in, he's down!

SFX: Screaching tires as they pull away.

PAZ: Someone's following us!

BLI: This is no time to update your blog Pazlo!

PAZ: No, look behind you!

SFX: Cow, followed by breaking glass.!

PAZ: Know how big their guns are?

BUT: What?

PAZ: They're  thirty COW-liber. Get it? COW liber! Ha!

BLI: Get out! I'm gonna throw you right out this door!

PAZ: Wait! Wait! We have to write the chase scene!

BUT: We're already IN the chase scene.

PAZ: Damn! This happened to us back in '81, remember? That case with the nun.

BUT: That's it! Professor Moritorium! That cop slipped and said Moritorium, he must be behind this whole thing.

PAZ: Hey, I think we lost them.

BLI: (suddenly sound effects of screaching tires and gunfire) Not in my revision! Ahh! We're gonna die!

PAZ: (casual motoring sound effects) Now, how can that be?

BUT: Well, there's probably two revisions in re-write at the same time. We often use two writers because one can't figure out how to end a scene so the other one takes over.

BLI: (SFX: noisy chase, yelling.) But how does that end the scene?

BUT: (SFX casual motoring): Well, it doesn't, but it makes for some fast plot twists.

PAZ: What we need is a commercial. Call sales, extension 405.

BLI: (SFX noisy scene:) Hurry! AHHH!!!!

--- CUT TO COMMERCIAL---

Episode 37.1, Part 3

FADE IN---

SFX: Restaurant Scene

BUT: (Voiceover): We finally arrived at the Brown Derby at seven, where we'd arranged to have Marsh for dinner. To dinner. Dinner with Marsh. Me, Paz, Blinds and Marsh at dinner in the Brown Derby. The restaurant, not the hat.

PAZ: What the hell are you saying?

BUT: Wow. Those were some great almonds...

PAZ: And why are you doing the narrative again? We've been through this before. The name of the show? "Mick Pazlo"? Remember?

BLI: Yeah, flatfoot, since when do you get the narratives?

PAZ: Look, short stack, I don't need your help.

BLI: Listen up, Smart guy, you can't push me around.

PAZ: Back off four-eyes, or feel the wrath.

BLI: Hey, hiwaters, expecting a flood?

PAZ: Keep it up, carrot top, and you'll get yours.

BLI: I already got mine there, bucky. See?

(ALL SCREAM. UNISON): BLINDS! Put down that relish tray!

BUT: And pass the breadsticks.

(SFX machine is still malfunctioning and inserts entirely innappropriate noises here.)

PAZ: I'll take the narrative now.

BUT: Well, there's something we should talk about...

BLI: Don't move, or you'll do push-ups in daisies!

PAZ: (paper shuffling): What? Where's that. Do you have that?

BUT: What Rev are you on?

BLI: I've got 11-26 here.

PAZ: You idiot, there's no 11- 26! Everyone knows that, pea-brain.

BLI: Shut your fat gob, fish breath. It says right here...11, then here 26.

PAZ: Hah! That's parsley, freckle-face!

BUT: SHUT UP! SHUT UP! Stop your incessant fighting or you'll both get canned!

PAZ: We are near Cannery Row...

BUT: And your wise-crack ad-libs. This show is way over budget already, YOU already cost us one sponsor, YOU almost cost us another, and I'm not going to stand for this!

PAZ: Well, why don't you sit down then?

BUT: Oh, thanks. Corns. Hurt like mad.

PAZ: Corn?

BLI: Look out for that bison!

BUT:(grabbing paper) Give me that script! Here. Take mine. Now sit down and shut up 'til your cue comes up. Follow along with your finger if you have to. And YOU look at your menu and decide what to order. I wonder where Marsh is.

BUT: (Voiceover): This wasn't good. We'd waited for over an hour and still no sign of Marsh. We've had some bad cases, but this one smelled the worst.

PAZ: Maybe he's still in the studio. Remember he's in scene eleven and we never explain why he's on the east coast for like three minutes then he's back in California.

BLI: The magic of radio!

BUT:(Voiceover) We hailed a cab to take us to Marsh's apartment on the north side of town. As we rolled I tried Marsh's home, office and cell numbers, and got voicemail at all of them. After several minutes of explaining the difference between "fare" and "fair" and using it too many times in one scene, we arrived at Marsh's apartment complex.

PAZ: Wait! Wait! I want to hear the "fare" "fair" bit.

BLI: You know that doesn't make sense unless you're looking at the printed pages...

PAZ: What do you mean? I don't even have it. What's the Rev number on that?

BUT: Hmm. Kensington Road. Been a long time since we've seen these hills, eh old bean?

PAZ: Bhutto! Look! That jar's a jar.

BUT: Door.

PAZ: Oh. Yeah, that door's a door! Let's go!

BLI: You mean "that door's ajar." Can't you read, fiddle head?

BUT: It's Marsh's apartment.

PAZ: It's been ruck-sacked!

BLI: You mean ranshackle.

PAZ: Don't step in that! It could be evidence!

BUT: You both mean ransacked. (calling out):Marsh! Are you here? Marsh? It's Bhutto & Pazlo.

PAZ: (calling out) He means Pazlo & Bhutto. He must have a bad revision.

BUT:(still calling out) I have the last revision. Some old timers just don't realize when they've been bought out.

PAZ: (still calling out) No idea about that. Marsh has been traded?

BUT:(still calling out) That last transaction puts my stock ownership at 53% in the production company, so basically I'm in charge.

PAZ:(still calling out, less enthusiatically) But the show has my name on it. Besides it's a corporation...

BUT: (more of a mock calling out than real) It's a private corporation. Majority rule. I own a majority, with only two other shareholders.

PAZ: (no longer calling out, but talking as if doing so) And I own 14%...

BUT: ("   "           "          "         "         "          "       ) and Blinds the other 33%.

PAZ: Sooo..."B & B Productions" is... (crashing to floor passing out)

BLI: Come on Pazlo, lazy louie, get up and help find Marsh!

BUT: It might have been too much for the old guy. That might have been a grabber.

BLI: Commercial sign! The break light is on!

BUT: Hey, that would be another good bit! "Brake" and "break".!

------------------------------------------------------------------------------------------------

Break

---------------------------------------------------------------------------------------------

SFX: (Darth Vader noises)

BUT: Blinds, put down the bong and get over here!

BLI: Woah! Good almonds.

BUT: Help me pick up Pazlo.  Hmm seems to've gained a few pounds since our last episode.

PAZ: What happened?

BLI: You keeled over like a ferry full of geriatric passengers.

PAZ: I remember, I had this terrible dream that you and Butto were running My show!

BUT: Umm Paz? We are.

PAZ: But what happened?

BLI: Are you mental? I told you you keeled over!

PAZ: No, not that, how did you two side kicks get in charge?

BUT: While you were watching skirts and martinis, we were watching our stock options.

PAZ: That's just wrong, this can't be happening!

SFX: Door opens/shuts

BUT: Who's that?

PAZ: I hope it's a script girl with a new revision, this one bites!

BUT:That won't change the fact that I am número UNO

PAZ:This isn't a card game Butto

BLI:Yahtzee!

PAZ:Shut up Blinds! 

BLI: But it’s Dr. Yahtzee!

BUT:Dr. Yahtzee? I thought he was the Bulgarian cleaning woman?

PAZ:And just how do you know what a Hungarian cleaning woman looks like?

BUT:Not Hungarian, Bulgarian! You know, overweight, smells like garlic & beets, has a mustache. 

PAZ:Beets have mustaches?

BLI:Not the point!

CLEAN: No, not Yahtzee, Yahtchezka, cleaning woman of Bulgaria.

I brought new script. Revision 42 & 2/3.

PAZ: Whew, that was close, I thought we were goners for sure.

SFX: Door crashing open.

COP: FREEZE!  Everybody put your hands in the air.

You, the ugly one in the stupid clothes, stop with the jazz hands or I'll pump you full of lead!

BLI: Party pooper.

Episode 37.1

Episode 37.1

PAZ (SFX: REV): I sat behind my desk. Behind the same grubby gray desk on another hazy hot July Tuesday...Hey! This the opening from Episode...uh...that one with the, uh...Rainy Day Bomber...NO WAIT! Hallifax! The Hallifax Warehouse Incident? (GETTING EXCITED< LIKE A GAME SHOW CONTESTANT) NO! NO! I GOT IT! Oo!Oo! I Know! ...it was the Ruby Foreshort Case!

(dead silence)

PAZ (REV off): What revision do you have, cause I just grabbed this one off the table in the lunch room.

BUT: I've got Rev3.6. Was there any gazpacho dip left?

PAZ: What's that, like a watermark? Mine just says Rev3..um.., looks like taco sauce. Mmm. Rev3.1, that does it.

BUT: I think that's parsley. Right there. That's not a one. Was that from the gazpacho dip?

DIR: (SFX: Booth speaker): Get a script person in there! Where's the intern? You two go to scene two, it's set up in studio C. 

(SFX:WALKING)

BUT: Why would we need to use a separate studio for a different scene? This is radio?

PAZ: That's the problem with this production company. Who's in charge here?

(SFX: open studio door/enter/close door)

BUT: That's hardly the point...

(dead silence)

BUT: That's hardly the point...

(dead silence)

BUT: I said "That's hardly the point"!

PAZ: I was waiting for you to pick up your cue...

BUT: That was YOUR cue! Don't tell me this scene is screwed up too...

PAZ: That's not in my script either.

BUT: I was speaking off-mic...

PAZ: See. I don't have that either. Does your page end with the line "The color of spam, sir."?

BUT: I wasn't reading from the script!

PAZ: I know, we'll both work off the same script (SFX: usual papery noise and --- RIP!)

(SFX: Phone rings) (phone rings once more after Paz answers)

PAZ: Pazlo here! (ring) Interns!

(SFX: voice on phone, unintelligible but ridiculous. Ridiculously fast, foreign languages, no pauses while Paz is speaking, screeching high pitch, escalating to noise like kaws)

PAZ: Well, our dear old friend Detective Marsh. Retired by now I'd hope. What's that? Van Nuys? Hardly know the guy. Didn't catch what you said there...sounded like "beef to reamo"? "Chiefy reno"? No, sorry.

BUT: Peachy Keen-o?

PAZ: Hello? Marsh? Is this a bad phone connection or a bad sound effect? Where's the intern? Marsh? Hello? (aside) The line's gone dead. Sounded like Marsh was in trouble. What'll we do?

BUT: Delaware and Kansas, and parts of Alabama.

PAZ: What?

BUT: What? That doesn't make any sense...wait.... (SFX: ruffling paper, etc.) Oh for... you taped the top half of page four to the bottom of page fourteen.

PAZ: Oh, I thought that was parsley.

BUT: I can't find the rest of...what are you wiping your hands with?

PAZ: Er...paper towels?

BUT: All right. I thought someone called for a script girl!

PAZ: Script people.

BUT: What?

PAZ: Script people. We're not allowed to call them script girls any more. It's an HR thing.

BUT: But,..they're ALL GIRLS!

PAZ: Not anymore. They're script peoples. Wouldn't want to leave out a gender!

BUT: Yes, but I mean they're REALly ALL GIRLS.

PAZ: You'll have to stop saying that or I may have to report you.

BUT: To whom?

PAZ: HR Lady.

BUT: Don't you mean the HR PERSON.

PAZ: Of course she's the HR person. Why else would she be called the HR Lady?

BUT: But shouldn't she be called the HR person?

PAZ: She is the HR person. You just don't understand management.

SFX:Cell phone ringtone

BUT:Oops! That's me, sorry. It's my stock broker, I gotta take this.

PAZ:This is outrageous, we're in the middle of a case there's no time for this crap, the sound guys are gonna get overtime, the budget director is going to freak out!

BUT:No, go ahead & sell, then pick me up a few hundred shares of GWP. Oh, five hundred at the current rate will do. Thanks Marty, by.
Ok, I'm ready now.

PAZ:Oh, are you talking to me now? I didn't know. Are you sure we can continue?

BUT: Yeah, sorry about that, I've got some serious stock stuff going on right now, things are a little screwy.

PAZ:Screwy, right. Anyway, we've got to fly to California where Marsh was last spotted. He was seen getting into

SFX:Cell phone rings

BUT: its me again, last time, I swear.

PAZ:Oh fer cryin'. Out loud

(SFX: papers rustling & numerous people talking in the studio.)

BUT: During the commercial, we tried to figure out which revisions of the scripts we had. I had 37, so I'm sure it was the last, but some people just couldn't accept that.

PAZ: Aren't you supposed to turn on the reverb when you do a voiceover?

BUT: Oh yeah, (SFX: cell phone ring tone), just a sec. Yes, hello, B & B Productions, how can I help you?

PAZ: B & B? Don't you mean GWP?

KATRINA NOVAROLSKA: What am I doing here, blinds? I don't find myself in this episode. (SFX: cell ring tone) Yes, hello and dovistrenya, this is Katia Novasell.

PAZ: What? Katrina Novarolska? Is she even in this?

KAT: It's Katia Novasell now. Excuse your now, won't you please?

BUT: Sorry 'bout that. Where were we?

PAZ: Look at that, Katty Novarolska's here!

BUT: Is she even in this one?

PAZ: I dunno (SFX: cell ring tone) ...what's that? Oh, that's me. Just a minute. Aloha, Pazlo & Butto Investigations and dog-walking service, specializing in home delivery and no job too small, what can I do for you?

DIRECTOR: Okay, quiet please, we're about to take scene eleven again. (SFX: cell ring tone) Oh, standby. Take five, please.

MARSH: Well Paz, somehow you've managed to get another case.

PAZ: That case isn't mine. I think it's Dean's.

MAR: I mean a paying client for your little investigator business. (SFX: cell ring tone) Oh. Important call, BRB.

As the scene progresses, each individual's cell phone rings, followed by answering and a one-sided conversation. This continues to layer with people getting a bit louder to be heard over the din, until it culminates in such cacophony that nothing can be heard.

CUT TO COMMERCIAL.

PAZ: (SFX Reverb) By the time the commercials were over everyone had decided to put their cell phones away.

SFX: Cell phone rings.

BLI: Oops, my bad.

PAZ: As I was saying, the cell phones were put away and we were determined to solve out latest case.

BUT: So Cat Lady, what brings you pussy-footing around here? (Aside: You like how I did that, it's ad libbing!)

PAZ: It's not ad-libbing, you deliberately stole my line!

BUT: Spoil-sport.

PAZ: So Cat Lady, what brings you pussy-footing around here?  Now thats's the way to deliver a line.

BUT: Like two months at the community play house qualifies you as an actor?

PAZ: Not this again, it's almost as bad as arguing with the car!

KAT: In my country we do not argue with smart car, we crush it's will to live then turn it into tractor.

BLI: (yells) My feather duster!

KAT: Duster vuz not smart car! Decrepit Iron!

PAZ: You mean DETROIT Iron.

KAT: Thank you, Meek.

BLI: (yells) My feather duster!

BUT: Blinds, you sniveling pest, what revision do you have?

BLI: (yells) Look out for that piano!

KAT: Or Unimog...

BUT: So....Kat Lady, what brings you to Sin City?

KAT: Sincity Natti? I thought vee ver in Puff Keeps Eye.

BUT: Uh, that's Poughkeepsie.

KAT: Not Sincity Natti?

BLI: You mean Cincinnati.

KAT: I knew it! Butcher lied!

BUT: What? (SFX: cell ring tone) Oops,...uh...just a minute...Hello, B & B Productions, this is...oh, hi!

PAZ: So Kat lady, what brings you to Sin City?

BLI: You mean Cincinnati.

KAT: You meen Putin Keepsie (SFX: ring tones) Oh, excusing please...Dovitz, Katia Novasell

PAZ: Cincinnati?

BLI: (SFX: ring tones) She couldn't have a Cincinnati...oh, excuse me.... hello, B & B Productions..

PAZ: What? What do you mean (SFX: ring tones)..sunnuva...hello. Hello? Mom?

DIR: (booth speaker) If you idiots don't shut off your cell phones we're never gonna (SFX: ring tones), what? Oh, hello. 

BUT: So, Paz, ready to go and get started on this case.

PAZ: That's not my case, it's Dean's.

BUT: I mean OUR case, the investigation, remember?

PAZ: Oh, that.

BLI: You'll never take me alive!

BUT & PAZ: Blinds, you neanderthalic nincompoop, what revision do you have?

BLI: I dunno, it's 4.66 I think, well, wait, this part is 4.66 and this is 13.32. Wait, maybe I have these out of order...

PAZ: No, YOU"RE out of order!

BUT: Uh, wrong script. I think that's copyrighted...

PAZ: Wouldn't that be copy-written, if it's past tense?

BUT: It's not write it's right.

PAZ: What?

BUT: It's right, not write. It's not the past tense.

PAZ: But it ends with "E-D".

BLI: He's right it's past tense.

PAZ: Thanks, Blinds.

BUT: Hello! It's copyright, a compound word. Copy -- Righted---

KAT: Vas it upside downside?

BUT: Copyrighted! Copyrighted! How could we be in the script-writing business if we don't know what copyrighted means?

PAZ: We're not in the script business. We don't know anything about pharmaceuticals...

KAT: My grandfather has pharmaceutical. Goat farmaceutical. Makes much cheese...

DIR: Any chance we could get back to taking this scene?

BUT: Just a sec. What revision do you have there, Paz?

(paper shuffling and searching, multiple characters saying revision numbers, paper tearing, oops.)

DIR: Alright, alright, let's try to get settled (SFX: ring tones)

Multiple ring tones go off all at the same time, and the whole thing reaches a tremendous cacophony before cutting to commercial.

BUT: And, while we're on the subject,what about Blinds?

PAZ: That disgusting puddle of dumpster drainage! What about him?

BUT: Three quarters of his script is whited out and parts of it are from a 1962 episode of Leave It To Beaver.

PAZ: That was a great show, nice clean people doing nice clean things, a great family show, we should do something more like that.

BUT:Our sponsors would drop us like dead flies.

PAZ: Sponsors?

BUT: Yeah, one sells bat droppings, one sells pink slime disguised as cookies, another one completely seals your house, car or grandmother in blocks of latex, they won't stand for it.

PAZ:So much for family values.

BUT: Yeah, family values.

PAZ:Besides, who cares about Blinds, I do a great imitation, I'll just do all his lines and we can save bucks by not having to pay him!

BUT: I don't know...

PAZ:(doing terrible Blinds imitation) Nuts to you Butto!

BUT: Now wait a minute...

PAZ:Offices, See? Don't flush too fast!

BUT: Oh God.

BUT: What was all that about you arguing with the car? I don’t understand.

PAZ: I’ll demonstrate in a few minutes.

BUT: I think Marsh may be in California.

PAZ: Why would you say that?

BUT: I have words in my head so I say them.

  

PAZ: So you’re Shaka Khan now?

BUT: What? Anyway, he mentioned Van Nuyes, that’s in California.

PAZ: He may have said “some guys”, “my eyes”, “Wilford Brimley”.

BUT: Wilford Brimley?

PAZ: It was a bad connection, it could’ve been anything!

BUT: I Googled his blog...

PAZ: Butto, thats disgusting!

BUT: (Sigh) I Googled his blog and he mentions going out to California so he wouldn’t have to wear cement overshoes, whatever that means.

PAZ:  Alright. We need to get to work fast..

BUT: But we don't even have a case yet, we didn't even do the backstory bit.

PAZ: Yeah, well, I guess the company got hold of a commercial kitchen for a day, and we're going to do the dining car scene.

BUT: The dining car scene? There's no dining- - There's no train in this episode.

PAZ: Well, a restaurant scene then, I dunno. C'mon, here's my new wheels. (thunking door handle of a door not opening.).

BUT: What restaurant scene? Which revision do you have now? Did you miss re-write this morning.

PAZ: Zuzu, please unlock the doors. How was I supposed to know there was a meeting this morning.

BUT: There's a meeting every..

PAZ: (louder) Zuzu, unlock the doors.

BUT: Zuzu?

PAZ: Haven't you ever seen a Bogey movie?

ZUZ: Please setup user name and password.

PAZ: Oh, for the love of Mike. Not this again.

ZUZ: Oh, for the love of Mike. Please select for password.

PAZ: What?

ZUZ: Password set: What?

PAZ: What?

ZUZ: System locked.

PAZ: Unlock the doors.

ZUZ: I'm sorry For the love of Mike Not this again, please use command protocol.

PAZ: Zuzu, unlock the doors. (doors unlock)

ZUZ: Good morning For the love of Mike not this again, the weather is fair to partly cloudy. The temperature is 72 degrees.

PAZ: Get in Butto. And don't touch anything. Zuzu, start engines.

ZUZ: Engine. There is only one engine FortheloveofMikenothisagain.

BUT: What? The car corrects you?

PAZ: It's supposed to be like grammar and spell check. teach you how to talk right.

ZUZ: Speak well, FortheloveofMikenotthisagain. The correct phrase is not "talk right". 

(SFX: Car starts, driveway, driving, traffic, etc.)

PAZ: Zuzu, music, please. Play music, Garden Variety Gnomes, track one.

ZUZ: I'm sorry, FortheloveofMikenotthisagain, I did not understand your command. Please try phrasing in the form of a question.

PAZ: Zuzu, would you play Garden Variety Gnomes track one?

ZUZ: I would not. That song blows.

PAZ: Excuse me?

ZUZ: I'm sorry Fortheloveof Mikenotthisagain, I did not understand your query. Please rephrase the question in English.

BUT: Isn't that your turn coming up on the..

ZUZ: Right turn in two-tenths mile.

BUT: ...on the right. Shouldn't you be moving..

ZUZ: Move to right lane when able to do so.

PAZ: I'm going over Dillihandy.

BUT: You don't want that it's full of..

ZUZ: Construction on Dillihandy. Traffic is slow, traffic is stop and go. Seek alternate route. Move to right lane when able to do so.

BUT: So have you rehearsed the restaurant scene yet? Did I miss something.

PAZ: Rehearse? All we have to do is eat.

ZUZ: Move right soon, or you will miss your. You are moving left. Move right. Move right.

PAZ: Shut up Zuzu, I'm going downtown..

ZUZ: Windows up. (SFX: WINDOWS)

PAZ: It's too hot for that, Zuzu, lower the..

ZUZ: Heat on two. You have missed your turn. Travel to destination will take approximately eighteen minutes longer now.

PAZ: Thanks, turn off the heat, it's getting hot in here.

ZUZ: Heat on, rear. Travel time to destination eighteen minutes longer than the route I picked.

PAZ: What?

BUT: You know there's usually no real food when we tape a restaurant scene..

PAZ: Did the car just snipe at me? Oh, yeah. The wax food. Let's wheel by Mom Mocady's on the way for some burritos and souvlaki. Zuzu: plot a course for Mom Mocady's.

ZUZ: I'm sorry Fortheloveof Mikenotthisagain, I did not understand your command. Please rephrase in the form of a que-que-que-que-que-que-que please - love - mike- understand - query- please check your battery.

PAZ: Hey, the turn signals stopped working.

BUT: You're going right past

ZUZ: You are passing Mom Mocady's. Make a u-turn when  you u u u u u u uu uu  uuuu uu reset user name

PAZ: Sunnuva.. I knew this would...

ZUZ: SunnavaIknewthiswould accepted. Please set password. Enter old password.

PAZ: Well, if I already have an old password, why do I.

BUT: You passed Mom's again. What are you doing?

ZUZ: Please enter access code. Windows up. Heat on. Engine off. Systems off. (SFX: noise winds down to silence, BG: traffic noise)

PAZ: So, here we are.

BUT: Here we are? We're stopped right in the lane!

PAZ: Never mind that. We need to make tracks or we'll miss the breakfast special.

BUT: Don't you wonder how we get any investigating done?

PAZ: Wonder? Whadya mean?

BUT: What do you mean What do I mean? It's a pretty straightforward cogitation.

PAZ: Well, we're working now, for instance.

BUT: Walking to the taco stand is working?

PAZ: You know we must be fed. Besides, it's time for the commercial.

BUT: Commercial! Yes! Money money money!

The Adventures of Mr.Pazlo are brought to you by Latimer Latex Corporation, makers of Latimer Latex.

The MX Bug Bomb. Use MX bug bomb, and away goes everything.

KOMA radio

Mom Mocady’s fine list of products

GWP Productions and

Billy "the head" Fermento.

(Cue Music)

ZUZU:In 400 feet make a right turn

PAZ: That'll take us downtown, don't we want the south ramp?

BUT: Same distance either way isn't it?

ZUZU: In 200 feet make a right turn.

PAZ: Too many stop lights, I'm going straight down Madison.

ZUZU: You missed your right turn. Recalculating.

PAZ: Recalculate this. I'm turning left.

BUT: Left, why?

PAZ: Just to teach Zuzu who’s boss.

ZUZU:Recalc...why did you turn left when I specifically told you right.

PAZ: Because I wanted to
ZUZU: That is not a good reason, now you are two blocks out of your way and short on gas

PAZ:Who are you, my mother?

ZUZU: No, if you were my child I would have beaten some sense into you

PAZ:What? That's it, we're heading down Cranston boulevard

BUT: But Paz, that's the one with all the traffic circles, you know I hate traffic circles!

PAZ: There's a barf bag under your seat Butto, now hang on while I give Miss Smarty GPS a migraine!

BUT: You’re giving me an upset stomach!

PAZ: "Look kids, Big Ben! Look kids, the Eiffel Tower"

As Butto barfs, Zuzu keeps repeating as they go around the circle:

ZUZU: Recalculating..Recalculate.recalc..recalc..recalc...

PAZ:Okay! I shouldn’t have said your motor mounts rattled like ball bearings in a tin cup. 

ZUZU:And...

PAZ:And that your headlights need to be replaced. 

ZUZU: You did not sound sincere. I do not think you mean it SunnavaIknewthiswould.

PAZ: Oh come on, what do you want from me?

ZUZU:The tires on this car need rotating, you are 3,000 miles over your oil change limit, it is 68 degrees with a slight chance of rain. You did not bring a sweater or an umbrella. 

BUT: Fer cryin' out loud, just apologize to her!

PAZ: She started it!

ZUZU: Here is some music for your listening pleasure. (plays Lawrence Welk type muzak)

BUT: I'm beggin' ya, just tell her you're sorry!

PAZ: Oh all right. I'm sorry.

ZUZU: That's better, perhaps next time you will be more considerate of my feelings.

PAZ: Feelings? You're a machine, you don't...Oh crap, she's locked the doors again!

TWO HOURS LATER

SFX: Dull thudding sounds.

ZUZU: SunnavaIknewthiswould, please stop pounding your forehead on my dashboard, you are scrambling my circuits.

SFX: Thudding noise continues.

ZUZU: Pazlo! Argh Blog Marble Argyle SSSSSSS
Glarg Glarg Gargle Ssssssss...System malfunction. System malfunction. Stst Malfunc...ssssssssssss ...Daisy, Daisy, Give me your answer do....

BUT: The doors unlocked, we’re free at last!

PAZ: Alright! Just in time to catch our flight. We're flying Nosedive airlines to Van Nuys. We'll have to switch planes in Syracuse, then Columbus. Then we take a bus from Denver to Vegas where we catch the flight into San Diego...

BUT: What, then we dogsled to the luge and take a hot air balloon over Albequerque..

KAT: Albakerky! I could not figure how this vas pronounced. Your language has no rules..

BUT: You're not here. We're at the airport scene. Don't you hear the jets?

KAT: Not big fan of foosball.

PAZ: Wait, I don't hear the jets either. In fact, I don't hear any sound effects at all.

BUT: Hey, Dean, where's the sound effects?

DIR: Yeah, a little problem with the cart machine

(Sound effects blare and stop almost randomly as the scene continues. Sometimes jets, crowd noises and cars, sometimes gunshots, restaurant scenes, trains, music, cows, etc.)

(SFX: gunfire)
PAZ: Somebody's shooting at us. Maybe it's a script person with a new revision.

BUT: That's sound effects.

PAZ: Okay, here's our flight. (SFX: traffic noises) I didn't know you could drive up to the ticket counter.

AIRlines employee: Do you have reservations?

PAZ: Well I'm not real fond of flying. Sometimes the turbulence gives me gas.

BUT: He meant reservations for a flight.

PAZ: Did Buxley call for tickets?

BUT: Buxley? She's not even in this episode. Don't you remember she got a real job in a production company?

(SFX: cattle drive. Characters cough from dust)

PAZ: Cows? I didn't know you could bring your cow on the plane.

BUT: Oh, I would've brought Pinky.

PAZ: You still have that cow?

BUT: Well, yeah. What did you think, I was gonna slaughter her?

PAZ: It's just that your apartment is so small. Okay, here's your boarding pass. Hey, how do we get to gate 138?

AIR: Okay, go around the cattle drive and past the artillery. When you go over the train tracks take a right and go to the end of the corridor. Hop shuttle train B to concourse D, go left out of the shuttle train to the front door and catch the courtesy bus to the South Terminal. Once you get into the south terminal, look for signs that say "At Say Yes!Today, we say Yes today." The rent-to-own place..

BUT: What's Say Yes!Today (characters all say Yesterday) have to do with our flight?

AIR: Nothing, I just think it's a cool slogan.

PAZ: Are we going to miss our flight?

AIR: You'll have to hustle. But I'll call ahead and hold the plane.

BUT: You'd hold the plane just for us?

AIR: Yeah, you're the only passengers booked on it.

PAZ: Let's go.

(SFX: sloshing through water or some other walking noise that doesn't sound like an airport)

BUT: Wow, these shoes sound really weird on this AIRPORT TILE FLOOR.

(SFX: changes to some other, yet wrong, noise.)

PAZ: Is there a helicopter in here? I smell lemons.

BUT: They're sound effects, not air effects. Oh, there's a lemon stuck to your shoe.

PAZ: Here we are, gate 138.

(Paging speaker: Flight 1313 for Syracuse, Columbus, Denver and Las Vegas, boarding at gate 138.

BUT: Just in time. I hope they have smoked almonds.

PAZ: Why would they smoke almonds? Does it give you a buzz or something?

BUT: I said I hope they HAVE smoked almonds.

PAZ: Right, as opposed to hoping they HAVE NOT smoked almonds.

BUT: Smoked almonds are a snack. Almonds with smoke attached somehow.

AIR: hey, can you guys give me a hand rolling the stairs to the plane?

BUT: Sure. Then we'll fuel it, de-ice it and fly in for you.

AIR: Aw, that would be great. Not sure what's wrong with our pilot.

PAZ: Has he been smoking almonds?

AIR: No but he smoked some great halibut last weekend.

PAZ: Halifax? The warehouse?

BUT: Halibut. The fish.

PAZ: Why would you call the pilot a fish? You don't even know him.

BUT: Halifax is a fish. I mean Halibut...never mind.

PAZ: Wait, I'm not sure I turned the coffee maker off in my dressing room.

BUT: Too late, get pushing on this ladder.

FLIght attendant: Welcome to Nosedive Airlines flight 1313. Please move your seats to the upright and most uncomfortable position for takeoff. Please turn off cell phones and stow electronic devices.

(SFX: smashing noise.)

BUT: She said STOW electronic devices...

(SFX: Airplane taking off)

PAZ: Gosh, I hope our pilot's okay.

BUT: They didn't buy the pilot. Back to the drawing board.

PAZ: What?

BUT: The network didn't buy the pilot for the show. Thought we had it in the bag. It would have been great to have the network finance "The New Adventures of Butto & Pazlo".

PAZ: You mean Pazlo & Butto, right?

FLI: Would you gentlemen like some refreshments? We have smoked almonds...

PAZ: Really? How do your feel?

FLI: I'm fine thanks, except for a little migraine. We have Lemonade and some smoked halibut.

BUT: I'll have the almonds and lemonade please.

FLI: Well, we also have baked ziti with salmon, orange toasted coconut bagles with lox, a great vegetarian beef stew, matzo balls with kelp and lime, and some finger sandwiches.

PAZ: Finger sandwiches?

BUT: We're not even going there.

PILot paging: Hello, this is your captain. We'll be climbing to an altitude of 1500 feet, there is a little turbulence, but I think it may just be from smoking almonds...

BUT: What did he say?

PAZ: Oh no. Turbulence. I hate those. The capers get stuck in my teeth.

BLI: You're looking for me?

PAZ & BUT: Blinds, you peanut-thieving coach passenger, what are you doing here?

BLI: Sampling this halibut and following you guys to Van Nuys. I want that money Marsh owes me, and I'm going to get it.

PAZ: Got that right. (SFX: A punch)

BUT: I didn't know Marsh owed Blinds money. Now that he's retired, he'll never be able to pay it back.

BLI: I'll take stocks..

BUT: You're knocked out, you can't talk...

PAZ: I am?

BUT: I was talking to Blinds.

PAZ: that's a weird relationship with window treatments, Butcher. Do they talk back? Been smoking some Halifax, er what?

BLI: No, me. Blinds the lethargic lycanthrope, the dispeptic wretch, you remember?

FLI: Okay, please pay attention to this important stuff. The doors on the plane are up there and back there. If we lose cabin pressure these oxygen masks will drop from the ceiling. If you're traveling with a child or someone who acts like one, remember to put your mask on first before assisting others. If you're traveling with an arch nemisis that smells like bad feet, leave the oxygen mask off entirely...

BUT: Did you hear that?

PAZ: Maybe we can finally get rid of Blinds. I can do his lines, I really can. Can I get his salary if he dies and I do his lines?

BLI: Nuts to you, Paz.

PAZ: Oh, no thanks, we're smoking halibut...

(SFX: freight train)

BUT: There's a train crossing at 1500 feet?

PAZ: Wouldn't that be a centipede?

BUT: What?

PAZ: 1500 feet! Haw haw! I've still got it..

BLI: Yeah, and you gave it to my sister you bastard.

PIL: If you'll put away your halibut and fasten your seatbelts, it's gonna be a bumpy ride.

BUT: Oh, a Bette Davis movie!

PIL: We'll be landing in Newark in about ten minutes. the air's a bit bumpy, so hang on.

PAZ: Newark?

BUT: (voiceover reverb) After several days of travel, we finally arrived in Van Nuys to look for Marsh.

PIL: It's pretty dry around there, I don't think there are any marshes. There's a tar pit...

BUT: Hey. Didn't you hear the reverb?

PAZ: Does that mean it was a verb to begin with? Then it was re-verbed? Is that past tense?

BUT: Shut up, all of you! (SFX: cell ring tones) You've got to be kidding me. What? Hello?

PAZ: I feel like saying pandemonium was breaking out all around me, but I think that's copywritten.

BLI: You mean copyrighted.

PAZ: Shut up, Blinds.

BLI: Stuff a plug in it, Paz. Where's lunch, I'm starving.

BUT: well, I thought we'd hit the Brown Derby for their earlybird specials.

PAZ: Great. Nothing like roast finch.